{"id":1307,"date":"2024-11-27T07:56:39","date_gmt":"2024-11-27T07:56:39","guid":{"rendered":"https:\/\/impac.upsi.edu.my\/?page_id=1307"},"modified":"2025-11-24T08:50:44","modified_gmt":"2025-11-24T08:50:44","slug":"parallel-session","status":"publish","type":"page","link":"https:\/\/impac.upsi.edu.my\/?page_id=1307","title":{"rendered":"PARALLEL SESSION"},"content":{"rendered":"\t\t
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PARALLEL SESSION<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Individual Paper 30 mins (<\/strong>20 minutes presentation, 10 minutes Question & Answer session)<\/span>
Lightning Paper 15 mins (<\/strong>10 minutes presentation, 5 minutes Question & Answer session)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PARALLEL SESSION 1<\/strong><\/span><\/p>

25 November 2025 (Tuesday) 11:00 a.m. \u2013 12:30 p.m.<\/strong><\/span><\/p><\/td><\/tr>

Repositioning Tradition: Innovation and Reinterpretation in Performance<\/strong><\/span><\/p>

KM1<\/strong><\/span><\/p>

Chair: Mr. Mohd Fauzi bin Amirudin<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=mf138e192cc6273956c18bbcd175b86c8<\/span><\/a>
<\/strong><\/p><\/td>

Digital Ecologies and the Technological Mediation of Performance<\/strong><\/span><\/p>

Smart Classroom<\/strong><\/span><\/p>

Chair: Dr. Yap Jin Hin<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=m7dbdb85b6d72559f27ce386bda1e33ca<\/a><\/span><\/p><\/td><\/tr>

11.00a.m. \u2013 11.30a.m.<\/span><\/p>

Sustaining Tradition, Shaping Futures: Begendang Sarawak and the Expanding Boundaries of Performing Arts<\/span><\/p>

Nurulakmal Abdul Wahid<\/em><\/strong><\/span><\/p>

Universiti Pendidikan Sultan Idris, Malaysia<\/em><\/span><\/p><\/td>

11.00a.m. \u2013 11.30a.m.<\/span><\/p>

Assessing the Role of Visualization Techniques in Enhancing Musical Performance Confidence for Voice Major Students in UiTM Shah Alam<\/span><\/p>

Chaing Yi Ling<\/em><\/strong><\/span><\/p>

Universiti Teknologi MARA, Malaysia<\/em><\/span><\/p><\/td><\/tr>

11.30a.m. \u2013 12.00p.m.<\/span><\/p>

Dancing to the Music of the Spheres: an ancient concept reimagined in the futuristic realm of virtual reality as a performance art<\/span><\/p>

Darren Royston<\/em><\/strong><\/span><\/p>

Universiti Pendidikan Sultan Idris, Malaysia<\/em><\/span><\/p><\/td>

11.30a.m. \u2013 12.00p. m.<\/span><\/p>

From Archive to Playground:\u00a0 Revitalising Intangible Heritage through Story-Dance for Children<\/span><\/p>

Sun Jian<\/em><\/strong><\/span><\/p>

Universiti Sains Malaysia, Malaysia<\/em><\/span><\/p><\/td><\/tr>

12.00p.m. \u2013 12.30p.m.<\/span><\/p>

Core Characteristics and Cultural Identity of Tari Silat:\u00a0 A Martial Arts Perspective<\/span><\/p>


Mohd. Nur Faillul Bin Adam<\/em><\/strong><\/span><\/p>

Akademi Seni Budaya dan Warisan Kebangsaan, Malaysia<\/em><\/span><\/p><\/td>

12.00p.m. \u2013 12.30p.m.<\/span><\/p>

Beyond the Goldberg Variations: Malaysian Contemporary Responses in Solo Piano Works by Adeline Wong and Tazul Tajuddin<\/span><\/p>

Min Chang<\/em><\/strong><\/span><\/p>

Universiti Malaya, Malaysia<\/em><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PARALLEL SESSION 2<\/strong><\/span><\/p>

25 November 2025 (Tuesday) 2:00 p.m. \u2013 3:30 p.m.<\/strong><\/span><\/p><\/td><\/tr>

Repositioning Tradition: Innovation and Reinterpretation in Performance<\/strong><\/span><\/p>

KM1<\/strong><\/span><\/p>

Chair: Dr. Herry Rizal Djahwasi<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=mf138e192cc6273956c18bbcd175b86c8<\/span><\/a>
<\/strong><\/p><\/td>

Pedagogies of the Future: Transdisciplinary Approaches in Arts Education<\/strong><\/span><\/p>

Smart Classroom<\/strong><\/span><\/p>

Chair: Dr. Abdul Rahman bin Safian<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?MTID=m7dbdb85b6d72559f27ce386bda1e33ca<\/span><\/a>
<\/strong><\/p><\/td><\/tr>

2.00p.m. \u2013 2.30p.m.<\/span><\/p>

An Analysis of Electric Bass Solo Improvisation Through a Critical Artistic Creative Process: The Work “M\u00e9lodie in Eb” in Evoking Musical Emotion<\/span><\/p>

Mohd Shahri bin Ramli<\/em><\/strong><\/span><\/p>

Universiti Malaysia Sabah, Malaysia<\/em><\/span><\/p><\/td>

2.00p.m. \u2013 2.30p.m.<\/span><\/p>

Reimagining Boundaries in Performing Arts: A Comparative Analysis of Korean Pop Music and Western Classical Music<\/span><\/p>

Dahlia Dayana Binti Ahmad Nazir @ Nazi Digman Neniel<\/em><\/strong><\/span><\/p>

Universiti Malaya, Malaysia<\/em><\/span><\/p><\/td><\/tr>

2.30p.m. \u2013 3.00p.m.<\/span><\/p>

Technology, Mediation, and Performance Ecologies in Indian Classical Music<\/span><\/p>


Samidha Vedabala<\/em><\/strong><\/span><\/p>

Sikkim University, India<\/em><\/span><\/p><\/td>

2.30p.m. \u2013 3.00p.m.<\/span><\/p>

Innovative and Revitalizing Chinese Folk Song Teaching: A Gamified Module Framework for Transformative Primary Education<\/span><\/p>

Xu Caixia<\/em><\/strong><\/span><\/p>

Universiti Pendidikan Sultan Idris, Malaysia<\/em><\/span><\/p><\/td><\/tr>

3.00p.m. \u2013 3.15p.m.<\/span><\/p>

Costume as Cultural Archive: The Representation of Confucianism in Traditional Liuzi Opera Costumes<\/span><\/p>

Li Xinwei<\/em><\/strong><\/span><\/p>

Universiti Sains Malaysia, Malaysia<\/em><\/span><\/p><\/td>

3.00p.m. \u2013 3.30p.m.<\/span><\/p>

Musical Perception in Group Singing to Enhance the Psychological Well-Being of Elderly<\/span><\/p>

Nutthan Inkhong<\/em><\/strong><\/span><\/p>

Shinawatra University, Thailand<\/em><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PARALLEL SESSION 3<\/strong><\/span><\/p>

25 November 2025 (Tuesday) 3:40 p.m. \u2013 5:10 p.m.<\/strong><\/span><\/p><\/td><\/tr>

Performance, Memory, and Cultural Sustainability in Times of Crisis<\/strong><\/span><\/p>

KM1<\/strong><\/span><\/p>

Chair: Mr. Suflan Faidzal bin Arshad<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=mf138e192cc6273956c18bbcd175b86c8<\/span><\/a>
<\/strong><\/p><\/td>

Repositioning Tradition: Innovation and Reinterpretation in Performance<\/strong><\/span><\/p>

Smart Classroom<\/strong><\/span><\/p>

Chair: Mr. Husnil Amin bin Zakaria<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?MTID=m7dbdb85b6d72559f27ce386bda1e33ca<\/span><\/a>
<\/strong><\/p><\/td><\/tr>

3.40p.m. \u2013 4.10p.m.<\/span><\/p>

Accordion Ornamentation in Malay Asli Songs<\/span><\/p>


Muhammad Azril bin Yeop<\/em><\/strong><\/span><\/p>

Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA), Malaysia<\/em><\/span><\/p><\/td>

3.40p.m. \u2013 4.10p.m.<\/span><\/p>

Study and Documentation of Sarawak Gambus: Preserving a Traditional Musical Heritage<\/span><\/p>

Ahmad Zainulrashid bin Ahmad Hata<\/em><\/strong><\/span><\/p>

Universiti Malaysia Sarawak, Malaysia<\/em><\/span><\/p><\/td><\/tr>

4.10p.m. \u2013 4.40p.m.<\/span><\/p>

The Management of Props in the Inasi Ceremony of the Murut Paluan of Sabah<\/span><\/p>

Muhamed Syafiq bin Salleh<\/em><\/strong><\/span><\/p>

Universiti Malaysia Sabah, Malaysia<\/em><\/span><\/p><\/td>

4.10p.m. \u2013 4.40p.m.<\/span><\/p>

Performing Activism Through Community Drumming with Orang Orang Drum Theatre in Malaysia<\/span><\/p>

Zhang Xin<\/em><\/strong><\/span><\/p>

Universiti Putra Malaysia, Malaysia<\/em><\/span><\/p><\/td><\/tr>

4.40p.m. \u2013 5.10p.m.<\/span><\/p>

Analysis of Motive and Emotional Development through Development through Leitmotif of the Film Upin Ipin Keris Siamang Tunggal<\/span><\/p>

Amanina Alwani Badaruddin<\/em><\/strong><\/span><\/p>

Universiti Teknologi MARA, Malaysia<\/em><\/span><\/p><\/td>

4.40p.m. \u2013 5.10p.m.<\/span><\/p>

KonTra Series as the \u2018Other Space\u2019<\/span><\/p>

Mohd Zhafir Muzani bin Mohamad<\/em><\/strong><\/span><\/p>

Independent Researcher, Malaysia<\/em><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PARALLEL SESSION 4<\/strong><\/span><\/p>

26 November 2025 (Wednesday) 11:00 a.m. \u2013 12:30 p.m.<\/strong><\/span><\/p><\/td><\/tr>

Pedagogies of the Future: Transdisciplinary Approaches in Arts Education<\/strong><\/span><\/p>

KM1<\/strong><\/span><\/p>

Chair: Dr.Muchammad Bayu Tejo Sampurno<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=m8c0acf578aa7f6ad6d9e169b6234711f<\/span><\/a>
<\/strong><\/p><\/td>

Performance, Memory, and Cultural Sustainability in Times of Crisis<\/strong><\/span><\/p>

Smart Classroom<\/strong><\/span><\/p>

Chair: Dr. Muhammad Faisal bin Ahmad<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=m2f4f9062a4e45a978bbe9587bb4f5f8e<\/span><\/a>
<\/strong><\/p><\/td><\/tr>

11.00a.m. \u2013 11.30a.m.<\/span><\/p>

Repositioning Nanyin Performance: Tradition and Innovation in Early Childhood Arts Education<\/span><\/p>

Wen Zaihua<\/em><\/strong><\/span><\/p>

Universiti Sains Malaysia, Malaysia<\/em><\/span><\/p><\/td>

11.00a.m. \u2013 11.15a.m.<\/span><\/p>

New Media Comedy as Heterotopic Theatre: Reimagining Boundaries in When a Lobster Man Decides to..<\/span><\/p>

Jin Lihong<\/em><\/strong><\/span><\/p>

Universiti Malaya, Malaysia<\/em><\/span><\/p><\/td><\/tr>

11.15a.m. \u2013 11.30a.m.<\/span><\/p>

Transcending Linguistic Barriers: Multisensory Experience and the Global Stage Transformation of Chinese Classical Poetry Langsong<\/span><\/p>

Wei Song<\/em><\/strong><\/span><\/p>

Shinawatra University, Thailand<\/em><\/span><\/p><\/td><\/tr>

11.30a.m. \u2013 12.00p.m.<\/span><\/p>

Instructional Management of Thai Dance for Chinese Students to Promote 21st Century Learning Skills<\/span><\/p>

Patcharin Rompochuen<\/em><\/strong><\/span><\/p>

Independent Researcher, Thailand<\/em><\/span><\/p><\/td>

11.30a.m. \u2013 12.00p.m.<\/span><\/p>

Selection and Use of Hand Props in Boria Traditional Theatre as a Distinctive Identity<\/span><\/p>

Noor Rafizal bin Paharul Rozi<\/em><\/strong><\/span><\/p>

Universiti Pendidikan Sultan Idris, Malaysia<\/em><\/span><\/p><\/td><\/tr>

12.00p.m. \u2013 12.30p.m.<\/span><\/p>

Towards Immersive Pedagogies: The Role of Interactive Theatre in 21st Century Learning<\/span><\/p>

Normiha Suraya Binti Ibrahim<\/em><\/strong><\/span><\/p>

Universiti Malaysia Kelantan, Malaysia<\/em><\/span><\/p><\/td>

12.00p.m. \u2013 12.30p.m.<\/span><\/p>

Immersive Theatre: Learning and Performance Countering Diffusion of Responsibility<\/span><\/p>

Takreema Aurooj<\/em><\/strong><\/span><\/p>

COMSATS University Islamabad, Pakistan<\/em><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PARALLEL SESSION 5<\/strong><\/span><\/p>

26 November 2025 (Wednesday) 2:00 p.m. \u2013 3:30 p.m.<\/strong><\/span><\/p><\/td><\/tr>

Repositioning Tradition: Innovation and Reinterpretation in Performance<\/strong><\/span><\/p>

KM1<\/strong><\/span><\/p>

Chair: Mdm. Nurezlin binti Mohd Azib<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=m8c0acf578aa7f6ad6d9e169b6234711f<\/span><\/a>
<\/strong><\/p><\/td>

Pedagogies of the Future: Transdisciplinary Approaches in Arts Education<\/strong><\/span><\/p>

Smart Classroom<\/strong><\/span><\/p>

Chair: Dr. Wong Huey Yi @ Colleen Wong<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=m2f4f9062a4e45a978bbe9587bb4f5f8e<\/a><\/span>
<\/strong><\/p><\/td><\/tr>

2.00p.m. \u2013 2.30p.m.<\/span><\/p>

From Tradition to Innovation: Modern Reinterpretation of Haiyang Yangko as a Cultural Heritage Dance<\/span><\/p>

Liu Lu<\/em><\/strong><\/span><\/p>

Universiti Pendidikan Sultan Idris, Malaysia<\/em><\/span><\/p><\/td>

2.00p.m. \u2013 2.30p.m.<\/span><\/p>

Unlocking Expressive Potential: An Investigation into Effective Bowing Methods for Violinists<\/span><\/p>

Sarah Alia binti Ahmad Jamal<\/em><\/strong><\/span><\/p>

Universiti Teknologi MARA, Malaysia<\/em><\/span><\/p><\/td><\/tr>

2.30p.m. \u2013 3.00p.m.<\/span><\/p>

Re-Interpreting Shanbei Folk Songs for Stage through Minzu Changfa (Chinese National Vocal Style)<\/span><\/p>

Zhao Yue<\/em><\/strong><\/span><\/p>

Universiti Putra Malaysia, Malaysia<\/em><\/span><\/p><\/td>

2.30p.m. \u2013 3.00p.m.<\/span><\/p>

The Impact of the Edwin Gordon Method on Undergraduate Music Majors\u2019 Motivation in Fundamental Music Theory<\/span><\/p>

Zhu Jie<\/em><\/strong><\/span><\/p>

Universiti Pendidikan Sultan Idris, Malaysia<\/em><\/span><\/p><\/td><\/tr>

3.00p.m. \u2013 3.30p.m.<\/span><\/p>

From Palace to Studio: An Analysis of Sultan Idris Shah II\u2019s Musical Works and Their Influence on Malaysian Popular Music (1960s\u20131980s)<\/span><\/p>

Kamarulzaman Mohamed Karim<\/em><\/strong><\/span><\/p>

Universiti Pendidikan Sultan Idris, Malaysia<\/em><\/span><\/p><\/td>

3.00p.m. \u2013 3.30p.m.<\/span><\/p>

Musculoskeletal Strain in Professional Violinists: Prevalence, Impact, And Prevention Strategies<\/span><\/p>

Ahmad Munir Mahzair<\/em><\/strong><\/span><\/p>

Universiti Teknologi MARA, Malaysia<\/em><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PARALLEL SESSION 6<\/strong><\/span><\/p>

26 November 2025 (Wednesday) 3:40 p.m. \u2013 5:10 p.m.<\/strong><\/span><\/p><\/td><\/tr>

Performance, Memory, and Cultural Sustainability in Times of Crisis<\/strong><\/span><\/p>

KM1<\/strong><\/span><\/p>

Chair: Ms. Mak Foong Ming<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=m8c0acf578aa7f6ad6d9e169b6234711f<\/span><\/a>
<\/strong><\/p><\/td>

Pedagogies of the Future: Transdisciplinary Approaches in Arts Education<\/strong><\/span><\/p>

Smart Classroom<\/strong><\/span><\/p>

Chair: Dr. Nurulakmal binti Abdul Wahid<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?
MTID=m2f4f9062a4e45a978bbe9587bb4f5f8e<\/span><\/a>
<\/strong><\/p><\/td><\/tr>

3.40p.m. \u2013 4.10p.m.<\/span><\/p>

Awakening Consciousness Through Dance: Bharatanatyam and Expanding Boundaries


<\/span>Sanjana Chakravarty<\/em><\/strong><\/span><\/p>

Assam University, India<\/em><\/span><\/p><\/td>

3.40p.m. \u2013 4.10p.m.<\/span><\/p>

Competing Narratives: Stories of Challenges and Resilience in Urban Musician Communities

<\/span>Nikolay Demerdzhiev<\/em><\/strong><\/span><\/p>

Johann Sebastian Bach Music Academy, Hong Kong<\/em><\/span><\/p><\/td><\/tr>

4.10p.m. \u2013 4.40p.m<\/span><\/p>

Emotion, Structure, and Identity: Reimagining Traditional Tunes in Wuxi Opera’s Modern Practice<\/span><\/p>

Hu Yena<\/em><\/strong><\/span><\/p>

Universiti Pendidikan Sultan Idris, Malaysia<\/em><\/span><\/p><\/td>

4.10p.m. \u2013 4.40p.m.<\/span><\/p>

Text-Based Choreographic Exploration: Pedagogical Insights from the Asas Koreografi Class at ASWARA<\/span><\/p>

Murni Binti Omar<\/em><\/strong><\/span><\/p>

Akademi Seni Budaya dan Warisan Kebangsaan, Malaysia<\/em><\/span><\/p><\/td><\/tr>

4.40p.m. \u2013 5.10p.m.<\/span><\/p>

The canvas, the body, and art<\/span><\/p>

Sramana Banerjee<\/em><\/strong><\/span><\/p>

Independent Researcher, India<\/em><\/span><\/p><\/td>

4.40p.m. \u2013 5.10p.m.<\/span><\/p>

Supporting Students with Learning Difficulties Through Dance: A Case Study of Dance Teachers at Sekolah Seni Malaysia Perak<\/span><\/p>

Suhaila Mohamad<\/em><\/strong><\/span><\/p>

Universiti Malaya, Malaysia<\/em><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SESSION 7<\/strong><\/span><\/p>

27 November 2025 (Thursday) 9:00 a.m. \u2013 10:30 a.m.<\/strong><\/span><\/p><\/td><\/tr>

Performance, Memory, and Cultural Sustainability in Times of Crisis<\/strong><\/span><\/p>

Smart Classroom<\/strong><\/span><\/p>

Chair: Mr. Nazimin bin Nazeri<\/strong><\/span><\/p>

https:\/\/upsi.webex.com\/upsi\/j.php?MTID=m5d739a855d45b730e9f1adb3e83fe3fb<\/span><\/a>
<\/strong><\/p><\/td><\/tr>

9.00a.m. \u2013 9.30a.m.<\/span><\/p>

Beginnings and Ends: Modernity, Mode of Production and the Dissolution of Musical Form<\/span><\/p>

Jonas Baes<\/em><\/strong><\/span><\/p>

University of the Philippines, Philippines<\/em><\/span><\/p><\/td><\/tr>

9.30a.m. \u2013 10.00a.m.<\/span><\/p>

The Eleven Stages of the Malaysian Hero\u2019s Journey: A Film Narrative Structure for the Local Audience<\/span><\/p>

Sanjit Singh Randhawa<\/em><\/strong><\/span><\/p>

Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA) , Malaysia<\/em><\/span><\/p><\/td><\/tr>

10.00a. m. \u2013 10.30a. m.<\/span><\/p>

Integrating Project-Based Learning and Cross-Disciplinary Strategies to Enhance Interpretive Understanding in Piano Performance<\/span><\/p>

Huang, Fung-Yin<\/em><\/strong><\/span><\/p>

National Kaohsiung Normal University, Taiwan<\/em><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SESSION 8<\/strong><\/span><\/p>

27 November 2025 (Thursday) 11:00 a.m. \u2013 12:30 p.m.<\/strong><\/span><\/p><\/td><\/tr>

Digital Ecologies and the Technological Mediation of Performance<\/strong><\/span><\/p>

\u00a0<\/strong><\/span>Smart Classroom<\/strong><\/span><\/p>

Chair: Mr. Amsalib bin Pisali

<\/strong>https:\/\/upsi.webex.com\/upsi\/j.php?MTID=m5d739a855d45b730e9f1adb3e83fe3fb<\/span><\/a>
<\/strong><\/span><\/p><\/td><\/tr>

11.00a.m. \u2013 11.30a.m.<\/span><\/p>

Staging the Posthuman Era in China: Reimagining Performing Arts through Robot, Digital, and XR Theatre<\/span><\/p>

Xin Tang<\/em><\/strong><\/span><\/p>

Universiti Malaya, Malaysia<\/em><\/span><\/p><\/td><\/tr>

11.30a.m. \u2013 12.00p. m.<\/span><\/p>

Ajat Iban Diversity in Ibanscapes (2024): Producer\u2013Curator Perspective on the Micropolitics of Dance Technique<\/span>\u00a0<\/em><\/strong><\/span><\/p>

Noramin Farid<\/em><\/strong><\/span><\/p>

Universiti Malaya, Malaysia<\/em><\/span><\/p><\/td><\/tr>

12.00p.m. \u2013 12.30p. m.<\/span><\/p>

Negotiating Gender Through Performance: A Study of Matah Gede in Balinese Calonarang<\/span><\/p>

Made Ayu Desiari<\/em><\/strong><\/span><\/p>

Institut Seni Indonesia Bali, Indonesia<\/em><\/span><\/p><\/td><\/tr>

12.30p.m. \u2013 1.00p.m.<\/span>
Performer\u2019s Role in Music Pedagogies: Creative Pathways for Music Education<\/span><\/p>

Juriani Jamaludin <\/em><\/strong><\/span><\/p>

Universiti Teknologi MARA, Malaysia <\/em><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

PARALLEL SESSION Individual Paper 30 mins (20 minutes presentation, 10 minutes Question & Answer session)Lightning Paper 15 mins (10 minutes presentation, 5 minutes Question & Answer session) PARALLEL SESSION 1 25 November 2025 (Tuesday) 11:00 a.m. \u2013 12:30 p.m. Repositioning…
Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-width-without-title.php","meta":{"footnotes":""},"class_list":["post-1307","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/impac.upsi.edu.my\/index.php?rest_route=\/wp\/v2\/pages\/1307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/impac.upsi.edu.my\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/impac.upsi.edu.my\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/impac.upsi.edu.my\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/impac.upsi.edu.my\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1307"}],"version-history":[{"count":133,"href":"https:\/\/impac.upsi.edu.my\/index.php?rest_route=\/wp\/v2\/pages\/1307\/revisions"}],"predecessor-version":[{"id":2263,"href":"https:\/\/impac.upsi.edu.my\/index.php?rest_route=\/wp\/v2\/pages\/1307\/revisions\/2263"}],"wp:attachment":[{"href":"https:\/\/impac.upsi.edu.my\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}