PARALLEL SESSION
Individual Paper 30 mins (20 minutes presentation, 10 minutes Question & Answer session)
Lightning Paper 15 mins (10 minutes presentation, 5 minutes Question & Answer session)
PARALLEL SESSION 1 3 DECEMBER 2024 (Tuesday) 11:00 a.m. – 1:00 p.m. | |||
Innovative Approaches in Music Composition, Interpretation, and Design Chair: Dr. Chiu Ming Ying | Transcultural and Hybrid Approaches in Music Composition and Performance Chair: Mr. Aiman Ikram bin Uyub | Interdisciplinary Approaches and Adaptations in Theatre and Performance Chair: Mr. Zolkipli Abdullah | Music as a Medium for Political and Emotional Expression Chair: Mdm. Violetta Ayderova |
11.00a.m. – 11.30a.m. Development of Living Room Set Furniture with a Combination Tone Music and Craft Birul Walidaini Universitas Negeri Yogyakarta, Indonesia | 11.00a.m. – 11.15a.m. Unpacking “Orientalism” in Music Production Software: Analyzing Cultural Representation and Accessibility in Ethnic Music Composition Tian Shuo, Zhu Hebei Academy of Fine Arts, China | 11.00a.m. – 11.30a.m. From Stage to Screen: Exploring Traditional and Post-Dramatic Adaptations in Contemporary Cinema Zhang Xuan Universiti Sains Malaysia, Malaysia
| 11.00a.m. – 11.30a.m. Politicization of Music Through the Staged Performances of Dong Pipa Songs in Tongdao County, Hunan Province, China Xin Chao, Huang Universiti Putra Malaysia, Malaysia |
11.30a.m. – 12.00p.m. Aleatoric Approach in Modern and Classical Music Composition Farhan Izzudin bin James Narte Universiti Pendidikan Sultan Idris, Malaysia
| 11.15a.m. – 11.45a.m. Nada Nusantara: Transcending Cultural Boundaries Through Transcultural Music Compositions Camellia Siti Maya Mohamed Razali Universiti Putra Malaysia, Malaysia | 11.30a.m. – 12.00p.m. Interdisciplinary Concepts on the Stage of Huminodun: Princess of “Nabalu The Musical 2022” Ratna Fazlinda Anak Jelly Universiti Malaysia Kelantan, Malaysia | 11.30a.m. – 12.00p.m. Adaptation Efforts of Senior Singers to Approach: A Choral Landscape in Thailand Nutthan Inkhong Shinawatra University, Thailand |
12.00p.m. – 12.30p.m. A Practice-Led Research: Interpretation of Ornamentation on Piangerò La Sorte Mia’ from Giulio Cesare by George Frideric Handel Chen Chen, Xiong Universiti Pendidikan Sultan Idris, Malaysia | 11.45a.m. – 12.15p.m. Hybrid Instrumentation-Based Strategy in Balinese Gamelan Performance: A Challenge to the Future of Performing Arts I Ketut Ardana Institut Seni Indonesia Yogyakarta, Indonesia | 12.00p.m. – 12.30p.m. Langue dan Parole Analysis on Aesthetic Setting of ‘The Last Emperor of Tang Dynasty’ Musical Theatre Hanisa Hassan Universiti Malaysia Kelantan, Malaysia
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12.30p.m. – 1.00p.m. Rhythm, Texture, and Harmonic Language: A Post-Structural Reading of Villa-Lobos’s Prelude No.1 Herry Rizal Djahwasi Universiti Pendidikan Sultan Idris, Malaysia | 12.15p.m. – 12.45p.m. Ngringkes: Garap’s Adaptation on Jemblungan Music
Galih Suryadmaja Universitas Bumigora Mataram, Indonesia | 12.30p.m. – 12.45p.m. Aesthetic Politics: The Tendency of Anti-Visual Rationality and Its Political Potential in Jean Genet’s The Balcony Xiao Ran, Wang Universiti Malaya, Malaysia | |
12.45p.m. – 1.00p.m. Idealisation through the Conceptualisation of Traditopia Album: Nukilan Etnografi Siti Nur Hajarul Aswad Shakeeb Arsalaan Bajunid Universiti Teknologi MARA (UiTM), Malaysia | 12.45p.m. – 1.00p.m. Elemen Environmental Theater Dalam Pementasan Teater Sawah Padi Muzikal Uda dan Dara Arahan Dinsman
Ismaliza binti Ishak Akademi Seni dan Teknologi Kreatif, Universiti Malaysia Sabah | ||
PARALLEL SESSION 2 3 DECEMBER 2024 (Tuesday) 02:00 p.m. – 04:00 p.m. | |||
Performing Arts Education and Cultural Impact in Learning Environments Chair: Dr. Flory Ann Mansor Gingging | Music Traditions Across Time and Space Chair: Dr. Mohd Yusran bin Mohd Yusoff | Gender, Identity, and Cultural Representation in Performance and Media Chair: Dr. Salman Alfarisi | Exploring Expressiveness and Complexity in Musical Performance Chair: Dr. Yap Jin Hin |
02.00p.m. – 02.30p.m. Exploring the Significance of Performing Arts in Early Childhood Education: A Case Study of Undergraduate Students’ Perspectives
Suhaila Mohamad Universiti Malaya, Malaysia | 02.00p.m. – 02.30p.m. Constructing the Malaysian Chinese Identity in the Huayuetuan (Modern Chinese Orchestra) of Malaysia
Li Qun, Hou Universiti Putra Malaysia, Malaysia
| 02.00p.m. – 02.30p.m. “Exoticised Femininity”: Tourism, Commercialisation, and Intangible Cultural Heritage in the Social Reproduction of Jiangnan Sizhu in Hangzhou
Yun Ke, Li Universiti Pendidikan Sultan Idris, Malaysia | 02.00p.m. – 02.30p.m. Unlock Your Child’s True Potential in Music Through Multiple Intelligences: A Conceptual Framework
Shafizan Bin Sabri Universiti Pendidikan Sultan Idris, Malaysia
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02.30p.m. – 03.00p.m. Development of a Performing Arts Education Module to Improve Self-Regulation Skills Among Students with Exemplars at Guizhou Vocational College, China
Qiao Pan UCSI University, Malaysia | 02.30p.m. – 03.00p.m. The Localized Changes of Malaysian Chinese Orchestra in Klang Valley
Jing Wen, Wang Universiti Malaya, Malaysia | 02.30p.m. – 03.00p.m. Cultural Representations of Masculinity in the 2023 Film Barbie and Its Impact on Male Identity and Self-Esteem
Joshua Jinivon Jintony University of Wollongong, Malaysia
| 02.30p.m. – 03.00p.m. The Influence of Structural Complexity on Musical Expression in Liszt’s Transcription of Beethoven’s ‘Eroica’ Symphony
Xiang Yu, Wu Universiti Pendidikan Sultan Idris, Malaysia |
03.00p.m. – 03.30p.m. The Soul of Culture and Performing Arts in Silliman University: A Study on Strength, Outstanding Performance, Unity, and Legacy in Cultural Education
Diomar C. Abrio Silliman University, The Philippines | 03.00p.m. – 03.15p.m. Analysis of Chinese Elements in the Music of Overseas Chinese Composers
Xu Nan Universiti Putra Malaysia, Malaysia | 03.00p.m. – 03.30p.m. Beyond the Hijab: The Difference in Professional Image, Music Selection and Live Performance Among Female Artistes After Wearing the Hijab
Justin Johari Bin Azman Multimedia University, Malaysia
| 03.00p.m. – 03.30p.m. A Practice-Based Research of Vocal Expression in Luan Kai’s ‘My Love is Waiting for You’
Xue Ying, Wang Universiti Pendidikan Sultan Idris, Malaysia |
03.15p.m. – 03.45p.m. A Comparative Study of the ‘Tukang Karang’ of Previous and Present Era in Boria Performance at Penang
Noor Rafizal Bin Paharul Rozi Universiti Pendidikan Sultan Idris, Malaysia | |||
03.30p.m. – 04.00p.m. Innovative Thinking of Musicians on Music Industry Landscape in Thailand
Sutthiphong Ruangchante King Mongkut’s University of Technology Thonburi, Thailand | 03.45p.m. – 04.00p.m. Inheritance and Practice of Shanxi Folk Songs in High School Music Classroom Teaching in Jiexiu City
Zhi Hong, Wang Universiti Putra Malaysia, Malaysia
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PARALLEL SESSION 3 3 DECEMBER 2024 (Tuesday) 04:15 p.m. – 05:45 p.m. | |||
Soundscapes and Cultural Representation in Contemporary and Traditional Music Chair: Dr. Shafizan bin Sabri | Innovative Frameworks and Models in Music Education Chair: Dr. Abdul Rahman bin Safian | Interdisciplinary Approaches to Performance-Making Chair: Dr. Herry Ridzal Djahwasi | Technology and Innovation in Music Education Chair: Dr. Chamil Arkhasa Nikko bin Mazlan |
04.15p.m. – 04.30p.m.The Sound Aesthetics of Tujia Ethnic Music Recording in Xiangxi, Hunan, China
Xue Yang, Zhang Universiti Teknologi Mara (UiTM), Malaysia | 04.15p.m. – 04.45p.m. Understanding the Concept of Expressiveness in Music Performance: An Exploratory Study with Undergraduate Music Students in a Malaysian Context
Nurezlin Mohd Azib Universiti Pendidikan Sultan Idris, Malaysia
| 04.15p.m. – 04.45p.m.Embodied Interpretation: Interpreting Gesture and Expression in Selected Impromptus Piano Solo Recitals by Franz Schubert and Frédéric Chopin
Rui Yang, Chen Universiti Pendidikan Sultan Idris, Malaysia | 04.15p.m. – 04.45p.m.Development of Artificial Intelligence for Personalized Learning in Composition Skill Training Module: A Qualitative Study
Hui Hui, Hou UCSI University, Malaysia |
04.30p.m. – 05.00p.m. Being Bimusical in the Era of Globalization: The Case of Four Folk Brass Musicians of Younger Generation in Greece
Antonis Ververis University of Ioannina, Greece | 04.45p.m. – 05.15p.m. Music Education Stimulate: An Innovative Orff-Based Learning Model to Stimulate Students’ Creativity
Try Wahyu Purnomo Universitas Negeri Medan, Indonesia | 04.45p.m. – 05.15p.m. Pianist as Transcriber: Towards a Performance of Selected Sergei Rachmaninoff’s Solo Piano Transcriptions
Si Yuan, He Universiti Pendidikan Sultan Idris, Malaysia | 04.45p.m. – 05.15p.m. Development of a Creative Thinking on Music Module for Enhancing Executive Function in Urban Left-Behind Children in Shandong, China
Bao Lian, Ye Universiti Pendidikan Sultan Idris, Malaysia |
05.00p.m. – 05.15p.m. An Analytical Exploration of Soundscapes in Malaysian Chinese Independent Cinema
Xing Yao, Jiang Universiti Malaya, Malaysia | 05.15p.m. – 05.30p.m. Developing an Online Music Theory Module for Adults Based on Multiple Intelligences
Joyce Low Xue Wen Universiti Sains Malaysia, Malaysia
| 05.15p.m. – 05.45p.m. Analysis of Exploratory Factors and Assessment of Reliability and Validity for the Chinese version of the Activity Flow State Scale (AFSS-Cn)
Liu Qian Universiti Putra Malaysia, Malaysia
| 05.15p.m. – 05.30p.m. The Development of Music and Games Elective Course Module in Selected Universities in Shandong Province, China
Fu Lei Universiti Pendidikan Sultan Idris, Malaysia |
05.30p.m. – 05.45p.m. Experiential Learning Music Through Student Engagement Module for Primary School Students in China
Han Xue Universiti Pendidikan Sultan Idris, Malaysia | |||
PARALLEL SESSION 4 4 DECEMBER 2024 (Wednesday) 11:00 a.m. – 1:00 p.m. | |||
Cross-Cultural Interpretations and Eco-critical Perspectives in Music Chair: Assoc. Prof. Dr. Kamarulzaman bin Mohamed Karim | Music in Community and Ritual Contexts Chair: Mdm. Nur Nabila Micheal Lung Abdullah | Creative Autonomy and Artistic Boundaries in Contemporary Music Practice Chair: Dr. Mardiana binti Ismail | Curriculum Reform and Educational Frameworks Chair: Dr. Sajastanah bin Imam Koning |
11.00a.m. – 11.30a.m. Cultural Crossroads: J. S. Bach’s Prelude in G Major BWV1007 Through the Voice of Zhong-Ruan Si Lu, Chen Universiti Pendidikan Sultan Idris, Malaysia | 11.00a.m. – 11.15a.m. Reciprocating and Connecting: The Social Functions of Music in the Longhuahui Ritual of Northern Shanxi, China Yun Xia, Yuan Universiti Pendidikan Sultan Idris, Malaysia | 11.00a.m. – 11.30a.m. Where is the Line? Reflections on the Performer’s Creative Space in Contemporary Performance Practice Oscar Caravaca Gonzalez Nanjing University of Aeronautics and Astronautics, China
| 11.00a.m. – 11.15a.m. Research on the Integration Strategy of Drama Education and Primary School Chinese Curriculum
Huang Zeng INTI International University, Malaysia
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11.15a.m. – 11.30a.m. Reconciling Tradition and Community: How Dongjing Music Rituals Enhance Community Cohesion in Jinguisi Village, Yunnan Province Yu Jing, Hu Universiti Pendidikan Sultan Idris, Malaysia | 11.15a.m. – 11.45a.m. Evaluation of a Framework for Practices on Higher Order Thinking Skills in One-to-One Western Classical Instrumental Music Classrooms in Higher Education Jia Rui, Pu Universiti Pendidikan Sultan Idris, Malaysia | ||
11.30a.m. – 12.00p.m. Integrating Eastern and Western Traditions: An Artistic Research Examination of Traditional Chinese Instrument Guzheng in the Performance of Debussy’s Arabesque No.1 Yu Chen, Wang Universiti Pendidikan Sultan Idris, Malaysia | 11.30a.m. – 12.00p.m. The Tradition of Kurungkurung Music in the Traditional Ceremony of the Dayak Meratus Community Muhammad Najamudin Universitas Pendidikan Indonesia, Indonesia | 11.30a.m. – 12.00p.m. A Practice-Led Research of Jingquan Clapper: Ding Huan’s The Light of the Mountain Ding Huan Universiti Pendidikan Sultan Idris, Malaysia
| 11.45a.m. – 12.00p.m. Dance Curriculum Reform Based on the Concept of Outcome-Based Education: Enhancing Students’ Creativity and Social Adaptability Jian Ping, Li Universiti Pendidikan Sultan Idris, Malaysia
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12.00p.m. – 12.30p.m. From Ceremony to Innovation: The Transformative Journey of Gilak I Gde Made Indra Sadguna Institut Seni Indonesia Denpasar, Indonesia
| 12.00p.m. – 12.30p.m. Oral Stories in the Kelantan Dialect in Traditional Malay Performing Arts Azlina Musa Universiti Malaysia Terengganu, Malaysia | 12.00p.m. – 12.30p.m. K-Pop Photocard as Part of the Development of Korean Cultural Bonds among Indonesian Fans in the Digital Era Mira Sutrisna Bali Institute of Design and Business, Indonesia | 12.00p.m. – 12.15p.m. The Role of Music Schools in Enhancing Music Education in Kindergartens: An Example from Hong Kong Nikolay Tomov Demerdzhiev Johann Sebastian Bach Music Academy, Hong Kong |
12.30p.m. – 1.00p.m. Elemental Differentiation in Calonarang “Lubuk Gandamaya”: Structural Deconstruction and Contemporary Society Aesthetic Response I Made Christian Wiranata Rediana Universitas Gadjah Mada, Indonesia | 12.30 p.m. – 12:45 p.m. Analisis Watak dan Perwatakan Dalam Persembahan Teater-Ritual Mag’ombok
Sharifuddin Zainal Akademi Seni dan Teknologi Kreatif, Universiti Malaysia Sabah | 12:30 p.m. – 1: 00 p.m. The Embodiment of the Body Zikir Darwis in Darwis Performance
Muhammad Harith Fadhilah bin Mohd Ghaus Universiti Pendidikan Sultan Idris, Malaysia | |
PARALLEL SESSION 5 4 DECEMBER 2024 (Wednesday) 02:00 p.m. – 03:30 p.m. | ||||
Explorations in Vocal Techniques and Expression in Chinese Music and Theatre Chair: Mdm. Ranko Konishi Kurano | Audience Development and Cultural Adaptation in Performing Arts Chair: Dr. Nurulakmal binti Abdul Wahid | Intangible Cultural Heritage and Evolving Performance Practices in Traditional Music Chair: Mr. Suflan Faidzal bin Arshad | Pedagogical Strategies and Teacher Readiness Chair: Assoc. Prof. Dr. Mohd Nizam bin Nasrifan | Music and Sound Therapy for Mental Health and Elderly Care Chair: Dr. Muchammad Bayu Tejo Sampurno |
02.00p.m. – 02.30p.m. Popular Singing in Chinese Original Musicals: An Acoustic Analysis of Vocal Characteristics and Emotional Expression
Lu Jing, Zheng City University, Malaysia
| 02.00p.m. – 02.15p.m. An Observation on Selected Malaysian Western Art Music Organisations’ Audience Development Efforts Pre- and Post-COVID Era
Stephen Tseu UCSI University, Malaysia | 02.00p.m. – 02.30p.m. Revitalizing the Yaqin: Integrating Traditional and Modern Music through Scenario Planning
Zhang Yu Universiti Putra Malaysia, Malaysia
| 02.00p.m. – 02.15p.m. Interpretative Phenomenological Analysis of the Learning and Development Dilemma of Opera Performance Art in School Education
Chun Hui, Liu Universiti Pendidikan Sultan Idris, Malaysia | 02.00p.m. – 02.30p.m. Sound Personalisation in Counselling: Bridging Creative Sound Design and Mental Health Support Nazimin Bin Nazeri Universiti Sains Malaysia, Malaysia
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02.15p.m. – 02.30p.m. Contemporary Echoes of Chinese Quyi: A Study of Audience Development and Identity Construction among University Students
Bo Wen, Zhang Universiti Malaya, Malaysia | 02.15p.m. – 02.30p.m. Pedagogical Content Knowledge of Music Educators in Higher Education
Rui Ling, Han Universiti Pendidikan Sultan Idris, Malaysia | |||
02.30p.m. – 03.00p.m. Practice of Chinese Folk Vocal Performance Style on Selected Chinese Art Songs
Jian Yue, Zhang Universiti Pendidikan Sultan Idris, Malaysia | 02.30p.m. – 03.00p.m. Balancing the Needs of Urban and Rural Audiences in the Evolution of Wu Opera
Chenge, Guo Universiti Putra Malaysia, Malaysia
| 02.30p.m. – 02.45p.m. Evolving Performance Practices of Quanfeng Huadeng Under China’s National Intangible Cultural Heritage Designation Lu Liang Universiti Pendidikan Sultan Idris, Malaysia | 02.30p.m. – 03.00p.m. Examining Factors Affecting Middle School Students’ Motivation in Chinese Folk Music Learning: Jiangsu Province Context
Yan Ting, Zhu Universiti Teknologi MARA (UiTM), Malaysia | 02.30p.m. – 03.00p.m. Digital Visual Notation Conductor for Angklung Therapy Session for the Elderly
Muhammad Asyraf Mohd Bakri Universiti Sains Malaysia, Malaysia |
02.45p.m. – 03.00p.m.
Performing Identities in Flux: The Erhu as a Cultural Mediator in the Dynamics of Tradition, Modernity, and Globalization
Xi Zhong Wang Universiti Putra Malaysia, Malaysia
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03.00p.m. – 03.30p.m. The Application and Development of Chinese Folk-Bel Canto Vocal Techniques in Chinese Coloratura Vocal Works
Pei Lu, Yu Universiti Pendidikan Sultan Idris, Malaysia
| 03.00p.m. – 03.30p.m. The Cross-Cultural Expression of Elderly Music Performances in the Digital Age: A Comparative Analysis of Audience Comments on Short Video Platforms
Jing Jing, Wu City University Malaysia, Malaysia
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| 03.00p.m. – 03.30p.m. Moving Forward with Tradition: The Role of Faculty of Dance ASWARA in Urban Cultural Preservation and Identity in Kuala Lumpur
Mohd. Hafzal Bin Aziz Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA), Malaysia | 03.00p.m. – 03.30p.m. Practical Guidelines for Choral Singing in the Elderly
Nutthan Inkhong Shinawatra University, Thailand
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